Way back in July of 2015, I wrote my first blog entry. Though my blog isn’t widely read, I still write occasionally to share some notion that has popped into my head. In recent months, the notions in my head don’t pop so much. They are more likely to run around in my mind like dogs chasing squirrels.
My first blog entry was titled, “Confessions of a Retired Music Teacher – Part I.” I thought I would have gotten around to part II and some real confessions sooner, but kept putting that off. Still, these long-kept secrets kept creeping into my thoughts every single week. They say confession is good for the soul, so now I am going to clear my conscience and lay some bombshells on you, gentle reader.
First, I need a deep breath, clear my mind, and just let the words flow. Here goes… I LOVE watching The Lawrence Welk Show! There – I said it! Yes, I DO love The Lawrence Welk Show. I was forced to watch it every Saturday night as a kid. Well, forced is a bit strong. We watched it every Saturday as a family, and I enjoyed it! I never would have admitted it as a kid. That would be unthinkable! I am older now, and frankly don’t care if people know I love The Lawrence Welk Show. It is a great show!
While I wasn’t wild about a couple of the singers Lawrence Welk had in his musical family, the Champagne Orchestra was amazing! Especially in the late 1960s through 1982, Welk had some incredibly talented and surely underpaid instrumentalists. Henry Cuesta on clarinet and sax, amazing trombonist Bob Havens, trumpeter Johnny Zell, pianist Bob Ralston and of course, the killer accordion of Myron Floren. Honky-tonk piano player Jo Ann Castle was fun to watch and looked like she was having a ball. They were a truly remarkable band, and every single musician was highly accomplished.
I still watch The Lawrence Welk Show every weekend on our local PBS station. My wife enjoys it, too, but not as much as I do. I know I sit there with a smile on my face through much of the show. It isn’t nostalgia that keeps me watching today. It is the sheer excellence of the performers that bring me back every week. I am a sucker for tap dancing, and Arthur Duncan is one of the best. Bobby and Cissy did some great dance numbers every week. It still amazes me how the dancers could put together impressive new routines every single week. I enjoyed the singers, especially the Lennon Sisters on the shows from the 1960s. While I usually didn’t care for Joe Feeney’s or Norma Zimmer’s songs, I loved the rest of the vocalists on the program. One thing is for sure… Lawrence Welk knew how to put on a tremendously entertaining show.
One of the reasons I started playing in band when I was in fifth grade was because I was so impressed with the musicians on Lawrence Welk! I started on the clarinet because of the great clarinetists I saw on the show, plus the music of famous players like Pete Fountain and Benny Goodman. Clarinet is a great instrument. Those guys played some mighty hot licks on the licorice stick! Later, I learned to play tenor saxophone. That was my major instrument in college, and I still play it in bands today. It is safe to say that my 30 year career in music education began with those Saturday nights watching The Lawrence Welk Show as a kid.
Whew! Glad I got that off of my chest. But wait – there’s more. The next confession is that I became a music teacher not only because of the influence of Lawrence Welk, but also because of Captain Kangaroo! Seriously. My love of music started at an early age thanks to watching the Captain.
Captain Kangaroo’s show featured a lot of famous songs, and some infamous songs, too. They had a lot of show tunes on the program, like “Oklahoma” and “June is Busting Out All Over.” Other catchy novelty songs like “I Love Onions” and “Playmate” were featured. Classics like “I’m a Lonely Little Petunia (in an Onion Patch).” Folk songs like “The Animal Fair” and “Erie Canal” were earworms. I even learned pop songs like “Flowers on the Wall.” It was an early musical influence, and it was on every weekday!
My earliest musical influence was my mother. She sang a lot, and she always sang in tune. Her songs were usually odd versions of folk tunes sung the way she learned them. My favorite was “It Ain’t Gonna Rain No More.” Mom’s version of the refrain went, “It ain’t gonna rain, it ain’t gonna rain, it ain’t gonna rain no more, how in the heck can I wash my neck if it ain’t gonna rain no more.” Sometime that last line was changed to “How in the hell can the old folks tell that it ain’t gonna rain no more.” Ah, the memories that brings back.
Well, there you have some of my confessions and a look at what led me to a career in music. If you get a chance, watch The Lawrence Welk Show on PBS some weekend. Don’t think of it as dated or passe, but listen carefully and marvel at the talent of Welk’s musical family.

